Our reviews
117 fiction books we've reviewed, each with who it's for, who should skip it and every source we used.
117 reviews match
Holly Black
Best for: Older YA readers (15+) already invested in The Cruel Prince who want a densely plotted, politically sophisticated fantasy built around morally complex characters and an adversarial, high-tension central dynamic rather than a conventional romance.
I. V. Marie
Best for: Fans of the Souls of Blackwood Academy series — particularly readers aged 14 and up who finished Immortal Consequences and are invested in the ensemble cast's romantic pairings, faction-based supernatural conflict, and the purgatorial Blackwood Academy setting.
Patrick Rothfuss
Best for: Readers already invested in The Kingkiller Chronicle who want hundreds of pages of immersive expansion on Kvothe's world, voice, and mythology — from university politics to Vintish court intrigue to wilderness mercenary work.
Elle Gray
Best for: Dedicated Blake Wilder series followers who have read through the preceding thirty-two entries and want to see FBI agent Blake Wilder's story through to its conclusion in the penultimate stretch of the thirty-five-book arc.
Michelle Collins Anderson
Best for: Readers who love women-led historical fiction steeped in American regional atmosphere — particularly those drawn to stories of sisterhood, survival, and family loyalty set against the Prohibition-era Ozarks and the gangster glamour of Hot Springs, Arkansas.
George R. R. Martin
Best for: Readers already invested in the A Song of Ice and Fire series who want the instalment where Martin's epic ambition fully delivers — political intrigue, large-scale war, and some of the most consequential plot turns in modern fantasy.
Arthur Conan Doyle
Best for: Readers new to Sherlock Holmes who want the complete, unmediated foundational collection in an affordable print format — particularly those who have encountered Holmes only through adaptations and are ready to read the original cases in sequence.
Tui T. Sutherland
Best for: Middle-grade readers aged eight and up — especially those who love ensemble casts, elemental moral stakes, and a richly differentiated fantasy world — who are looking for a long-running series with a self-contained first arc and a found-family dynamic at its heart.
Elin Hilderbrand
Best for: Fans of women's fiction and beach reads who enjoy ensemble casts, sun-drenched Nantucket atmosphere, and stories that balance genuine emotional stakes — grief, friendship, and the distortions of social media — with warmth and social comedy.
Ben Counter
Best for: Dedicated Horus Heresy readers who have completed the first two novels and are ready to witness the series' central act of betrayal dramatised at full, operatic scale.
Florence Knapp
Best for: Readers drawn to structurally ambitious literary fiction who want a morally serious, emotionally demanding exploration of how a single early decision — a child's name — can reshape identity, family, and generations, particularly those who appreciate braided timelines and unflinching treatment of domestic violence.
Jeff Carson
Best for: Established fans of the David Wolf series who want a chapter that meaningfully entangles Wolf's romantic life with a mounting murder investigation, set against the vividly rendered backdrop of Rocky Points, Colorado.
Kate Quinn, Janie Chang
Best for: Readers who love character-driven historical fiction with dual female perspectives — particularly fans of Kate Quinn's previous work or anyone drawn to stories that weave social history around race, class, and gender into a propulsive plot.
Rachel Gillig
Best for: Readers already invested in the Shepherd King duology who want a darker, more expansive finale that deepens the gothic atmosphere and pays off the emotional arc between Elspeth and the Nightmare.
Shana Abe
Best for: Readers of character-driven Gilded Age historical fiction — particularly fans of Marie Benedict, Allison Pataki, or Abé's own The Second Mrs. Astor — who are drawn to rigorously researched stories of real women who built power and autonomy within systems designed to exclude them.
Stefano A Giovannoni
Best for: Teen readers aged 13–18 who want a mythology-dense supernatural mystery set in a richly imagined small-town world, and who have already read The Dark Secrets of Oliveto and want a satisfying conclusion to Nico and Sofia's story.
Jennifer Lynn Barnes
Best for: YA readers aged 12 and up who love puzzle-driven mysteries, high-stakes ensemble dynamics, and are happy to commit to a multi-book series rather than a single self-contained story.
Kate Quinn
Best for: Readers drawn to character-driven historical fiction about women's roles in the World Wars, especially those who want their novels grounded in verified, little-known history rather than wartime atmosphere alone.
Alex Michaelides
Best for: Hispanophone readers who enjoy tightly plotted psychological thrillers in the Christie-and-Hitchcock tradition and want a premium collectible Spanish-language edition of a globally celebrated debut.
R.A. Valletta
Best for: Readers who gravitate toward dark, character-driven crime fiction and want a flawed, emotionally damaged detective navigating a morally complex California noir investigation across a multi-book series.
Fyodor Dostoevsky
Best for: Readers drawn to psychological fiction and moral philosophy who want the most critically endorsed English-language text of Dostoevsky's 1866 masterwork — particularly those in academic or serious literary reading contexts.
J.L. Doucette
Best for: Readers who enjoy psychologically grounded crime fiction in the tradition of Ann Cleeves and Louise Penny, and who want a series they can follow in order through a distinctive Wyoming setting with leads who have genuine interiority.
Anthea Hatfield
Best for: Nurses, anaesthetists, and surgeons who need a comprehensive, science-grounded reference specifically covering the immediate post-operative recovery period and post-anaesthesia care unit practice.
James S. A. Corey
Best for: Readers who want a character-anchored space opera that interrogates power, survival, and what makes us human — especially those drawn to ensemble drama set against genuinely alien, world-scale stakes.
