Our reviews
101 fiction books we've reviewed, each with who it's for, who should skip it and every source we used.
101 reviews match
Matt Haig
Best for: Readers navigating depression, burnout, or a sense of paths not taken who want an emotionally accessible speculative novel that literalises regret and the case for living — without demanding hard SF rigour or tonal darkness.
Terry Pratchett
Best for: Long-term Discworld readers who have followed Moist von Lipwig through Going Postal and Making Money, and who want to watch Ankh-Morpork cross the irreversible threshold into the industrial age — with all the political weight and elegiac resonance that carries given its place as the penultimate novel in Pratchett's series.
Taylor Jenkins Reid
Best for: Readers who love morally complex, plot-driven historical fiction with LGBTQ+ themes and a glamorous Old Hollywood setting — particularly those who enjoy compulsive, binge-worthy narratives built around a charismatic, deeply secretive protagonist.
S. E. Hinton
Best for: Middle- and high-school readers — and adults revisiting their school years — who want a short, emotionally honest coming-of-age story about class, loyalty, and identity that still feels urgent decades after it was written.
Jay Asher
Best for: Teenage readers and educators looking for a structurally inventive, conversation-starting novel about the ripple effects of social cruelty, bullying, and indifference on a young person's life — best approached with a discussion framework in place.
