At a glance

Pages384
First published2017
Settingnear-future New York City
NarratorMichael Crouch, Robbie Daymond, and Bahni Turpin
Reading time~5h 30m
AudienceYA (12-18)
ISBN0062457802
Adam Silvera

About the Author

Adam Silvera

3 books reviewed

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LuvemBooks Verdict

Best for

Teen and adult readers who want a LGBTQ+ YA story that confronts mortality and the meaning of connection with emotional directness, and who are comfortable entering a novel already knowing its ending.

Worth it if

You respond to high-stakes, emotionally compressed narratives where the journey matters more than the destination — particularly if queer representation, grief, and the urgency of human connection are themes you actively seek out in YA fiction.

Skip if

You rely on narrative uncertainty to sustain tension, or find it difficult to accept that two strangers could form a deeply credible bond within the span of a single day.

What readers & critics say

Kirkus Reviews called it "another standout from Silvera who here grapples gracefully with heavy questions about death and the meaning of a life well-lived," concluding it is "engrossing, contemplative and as heart-wrenching as the title promises." The novel's author site documents an exceptional awards haul — a #1 New York Times bestseller designation, four starred reviews, and recognition from School Library Journal, Kirkus, Booklist, and Book Riot, among others.

Silvera grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Kirkus Reviews

Engrossing, contemplative and as heart-wrenching as the title promises.

Wikipedia (citing Kirkus Reviews)

The Last Friend App — I kind of loved how touching this idea is. Rated 8/10: Excellent.

SFF Book Review

The switching in narration helped me to see how Mateo and Rufus view and understand each other.

Teen Ink
Sources: Kirkus Reviews, Adam Silvera Official Site, Wikipedia
4.6from 42,366 Amazon ratings— reader ratings, not a LuvemBooks score

Ask LuvemBooks

Was this helpful?

Adam Silvera's They Both Die at the End is a near-future YA romance set in a single day, following two teenage strangers — Mateo Torrez and Rufus Emeterio — who spend their last hours alive together after both receive calls from Death-Cast. A #1 New York Times bestseller with four starred reviews and a sustained #BookTok-driven readership, it's precisely calibrated for readers who want YA that takes mortality and queer identity seriously without abandoning warmth — though readers who depend on narrative uncertainty for tension should note the ending is announced in the title itself.
Is it worth reading?
For readers drawn to YA that engages seriously with mortality, queer identity, and the meaning of connection, They Both Die at the End is a well-regarded choice — Kirkus Reviews called it 'engrossing, contemplative and as heart-wrenching as the title promises,' and BuzzFeed credited Silvera with creating 'entirely relatable and authentic characters.' Its #BookTok-driven return to the New York Times Best Seller list years after its 2017 debut signals a longevity that goes beyond single-season hype. The key caveat: the title is a deliberate spoiler, and the entire emotional arc between Mateo and Rufus unfolds within a single compressed day, which asks readers to accept an accelerated bond as fully credible.
Similar books
Readers who respond to They Both Die at the End's blend of mortality and emotional intimacy will find a natural companion in Matt Haig's The Midnight Library, which similarly uses a speculative premise to explore the meaning of a life fully lived. Adam Silvera's own More Happy Than Not offers another emotionally raw YA story from the same author for readers who want to go deeper into his catalog. For readers drawn to the theme of a young person's voice confronting death and its aftermath, Thirteen Reasons Why by Jay Asher covers adjacent ground. Station Eleven by Emily St. John Mandel and Eleanor Oliphant Is Completely Fine by Gail Honeyman round out the list for readers interested in stories about human connection under extraordinary circumstances.
Who should read this?
They Both Die at the End is recommended for readers ages 13 and up who want YA fiction that takes mortality, queer identity, and the meaning of connection seriously — without flinching from grief but also without abandoning warmth. It suits readers who are comfortable with emotionally intense, high-stakes narratives and who can accept the premise that a deep bond can form between two people in a single day. Those who need narrative uncertainty to sustain engagement should be aware that the ending is embedded in the title by design.
What age is it for?
Best for readers ages 13 and up. The novel's themes of mortality, grief, and the emotional weight of facing death make it better suited to teen readers with some emotional maturity, and the central LGBTQ+ romance is age-appropriately handled within a YA framework. Younger or more sensitive readers may find the sustained focus on impending death — foregrounded from the very first pages — more challenging to process.
About Adam Silvera
Since bursting onto the YA scene in 2015 with More Happy Than Not, #1 New York Times bestselling author Adam Silvera has become one of young adult literature's most emotionally resonant voices.
Tell me about the adaptation
A screen adaptation of They Both Die at the End is currently in development, with Bridgerton creator Chris Van Dusen attached to executive produce and write the screenplay. Adam Silvera himself is also attached as executive producer, giving the author direct creative involvement in the project. No release date has been publicly confirmed as of the information available in the review.
What are the main themes?
Mortality and the meaning of a life well-lived are the novel's central preoccupations — Kirkus Reviews specifically praised Silvera for 'grappling gracefully with heavy questions about death and the meaning of a life well-lived.' Alongside that, the novel explores personal connection and what it means to truly know someone, with Mateo and Rufus each confronting the unlived futures they had imagined for themselves. Queer identity, the nature of friendship, and the role of personal choice in shaping the time we have are woven through both the central relationship and the supporting ensemble.
How does it compare to Silvera's other books?
They Both Die at the End is Adam Silvera's third novel and his most commercially successful, earning a #1 New York Times bestseller designation and four starred reviews that his debut, More Happy Than Not, did not match at the same scale. Both books share Silvera's signature emotional intensity and queer protagonists, but They Both Die at the End operates on a more high-concept speculative premise — the Death-Cast conceit — whereas More Happy Than Not is more grounded in contemporary realism. Readers who want to see where Silvera's voice originated can trace it back to More Happy Than Not, which LuvemBooks has also reviewed.
Summarize this book

Summarize this book

They Both Die at the End is set in a near-future New York City where a company called Death-Cast calls individuals — known as Deckers — shortly after midnight on the day they will die, giving them up to twenty-four hours of forewarning. Mateo Torrez, an introverted and cautious teenager, downloads an app called Last Friend to find a companion for his End Day; Rufus Emeterio, mid-confrontation with his ex-girlfriend's new boyfriend when his call arrives, does the same so he won't face his final hours alone. The two meet through the app and spend their day visiting Mateo's comatose father, saying goodbye to Mateo's best friend Lidia and her infant daughter, and confronting the unlived futures they had each imagined for themselves. Silvera weaves in a supporting ensemble of secondary characters whose lives briefly intersect with Mateo and Rufus as the hours count down.

Follow up

What is Death-Cast exactly?
Is this part of a series?
Are the side characters important?

Synthesized from verified book data & published reviews · How we review

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Age & Reading Level

Recommended age

Ages 12–18

Reading level

Young adult

Content to know about

sustained focus on impending death and grief
teen mortality as central premise

Best for: Ages 13+ — the novel's sustained focus on mortality, grief, and the emotional weight of two teenagers facing certain death on the same day suits readers with some emotional maturity.

Skip if you need narrative uncertainty to stay emotionally invested — the ending is announced in the title by design.

Editorial Review

Adam Silvera's third novel, They Both Die at the End, is a young adult romance built on an unflinching premise: two teenage boys, Mateo Torrez and Rufus Emeterio, each receive a call from Death-Cast informing them they will die before the day is out, and choose to spend those final hours together. Originally published by HarperTeen in September 2017 and later reissued by Quill Tree Books, the novel earned a #1 New York Times bestseller designation, four starred reviews, and a wave of renewed readership driven by #BookTok — making it one of the defining YA novels of its era.

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They Both Die at the End by Adam Silvera | LuvemBooks