Reviewed

Read Time

9 min read

Age & reading levelAdult
Reader rating

3.9

· 5,538 Amazon ratings
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Getting Away with Murder

Getting Away with Murder by Shari Lapena Review: A Wickedly Sinister Thriller About Greed

Getting Away with Murder is Shari Lapena's tenth thriller, following debt-ridden couple Ted and Jill Westcott as they push Ted's brother Greg overboard at sea to claim his $45 million inheritance — only to find themselves hunted by a Coast Guard investigator, a blackmailer, and a circle of enemies who each want a piece of them. Kirkus Reviews calls it "a scrumptiously sinister novel" and awards it a coveted Get It verdict, making it one of the season's most anticipated psychological suspense releases.

LuvemBooks Verdict

Best for

Fans of domestic psychological suspense who enjoy watching morally bankrupt characters spiral under mounting pressure — particularly readers drawn to inverted thrillers where the "whodunit" is replaced by the dread of whether killers will escape justice.

Worth it if

Worth reading if you relish spending time with calculating, unsympathetic protagonists and find your tension in slow-burning accumulation of dread — knowing who the killers are from page one and watching a multi-front net tighten around them.

Skip if

Skip it if you need a protagonist to root for or expect wall-to-wall action, as the Westcotts are deliberately repellent and the novel's pleasures are built on methodical pressure rather than relentless pace.

Kirkus Reviews awards the novel a "Get It" verdict, calling it a "scrumptiously sinister" and "knockout contribution to the trending fiction genre that skewers the elite," singling out the visceral opening and the book's dissection of jealousy, vengefulness, and greed. Sharilapena.com collects blurbs from fellow authors including Chris Whitaker, who praises Lapena for flipping the script "masterfully" while retaining her trademark twists and killer ending, and Criminal Element, which calls it "an absolute page turner" that "more than upholds her stellar reputation."

“A scrumptiously sinister novel… readers feel the boat pitch and the wind howl… this most satisfying novel dissects jealousy, vengefulness, and an unstoppable lust for money.”

— Kirkus Reviews
Sources: Kirkus Reviews, sharilapena.com
3.9from 5,538 Amazon ratings— reader ratings, not a LuvemBooks score

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Getting Away with Murder is Shari Lapena's tenth thriller, following debt-ridden couple Ted and Jill Westcott as they push Ted's brother Greg overboard at sea to claim a $45 million inheritance — then find themselves hunted from every direction by a Coast Guard investigator, a blackmailer, and a circle of resentful enemies. Kirkus Reviews awards it a "Get It" verdict, calling it "a scrumptiously sinister novel," and Mary Kubica names it her favorite Lapena yet — but readers who need a protagonist to root for should know the Westcotts are deliberately, unapologetically unsympathetic from the first page.
Is it worth reading?
For fans of psychological suspense who enjoy morally complex — even morally bankrupt — protagonists, Getting Away with Murder delivers exactly what Lapena's reputation promises. Kirkus Reviews awards it a coveted "Get It" verdict and calls it "this most satisfying novel," praising its dissection of jealousy, vengefulness, and greed. Mary Kubica calls it her favorite Lapena novel yet, and Elisabeth Egan highlighted its methodical, accumulating dread as a structural strength. The key caveat: this is a slow-burn pressure cooker built on multi-front siege tension, not relentless action from chapter one.
Similar books
Readers drawn to Getting Away with Murder will find close company in several of the curated titles below. Gone Girl by Gillian Flynn shares the deeply unreliable, morally compromised central couple and the inverted suspense structure. The Silent Patient by Alex Michaelides delivers the same psychological tightening and shock-ending payoff. Tell Me What You Did by Carter Wilson echoes the "I know what you did" blackmail premise almost directly. The Divorce by Freida McFadden — whose author blurbed Getting Away with Murder — offers the same domestic-suspense entrapment energy, while The Last Thing He Told Me by Laura Dave brings comparable accumulating dread and a secrets-unraveling structure.
Who should read this?
Getting Away with Murder is squarely for adult readers who enjoy psychological suspense with morally bankrupt protagonists — the kind of novel where watching entitled, calculating people implode from the inside is the entire point. It suits fans of Lapena's existing backlist, readers who gravitated toward Gone Girl's complicit-couple dynamic, and anyone who appreciates social anatomy wrapped in lethal plotting. Readers who need a character to root for, or who prefer relentless action over slow-burn pressure, will likely find the experience a sustained challenge by design.
About Shari Lapena
Shari Lapena is a Canadian novelist.
Is this a good book club pick?
Getting Away with Murder offers strong book-club material. The deliberate unsympathetic framing of Ted and Jill Westcott — entitled, calculating, and willing to escalate — is likely to generate genuine disagreement about complicity and moral boundaries. The novel's central question, as the publisher frames it, is how far people will go when money is on the line, and the cast of antagonists each driven by their own version of greed (Paul Ramirez, Lara Donleavy, the blackmailer, the con artist) gives groups plenty of specific threads to pull. Elisabeth Egan's characterization of the novel as a "house of cards" folding "one stressful, terrible decision at a time" also makes it a useful lens for discussing narrative structure.
How does this compare to Lapena's other books?
Getting Away with Murder represents a structural departure for Lapena while preserving her trademarks. Chris Whitaker notes she "flips the script masterfully yet retains her trademark twists and killer ending" — the inversion of the whodunit structure (readers know the killers immediately) is the boldest formal move in her catalog. Mary Kubica, whose own work inhabits similar psychological territory, calls it her favorite Lapena novel yet, a meaningful signal given the nine books that came before. The social-anatomy ambition — skewering entitlement and greed across an entire cast, not just the central couple — also feels more expansive than her earlier domestic thrillers.
Summarize this book

Summarize this book

Ted and Jill Westcott, drowning in debt to a loan shark, sail Ted's brother Greg out on a sailboat named Fortune Seeker and push him overboard, banking that no body means no crime and that a $45 million inheritance will solve everything. Lapena inverts the classic whodunit: readers know the killers from page one and watch with mounting dread as pressure builds from U.S. Coast Guard investigator Paul Ramirez, a blackmailer who texts "I know what you did," Jill's resentful best friend Lara Donleavy, a con artist, and the resentful son of their own housecleaner. The novel functions as both a tightly wound suspense machine and a social anatomy of greed and entitlement, asking how far people will go when money is on the line.

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Our Review

This review covers the book's content, premise and published critical reception, not a first-hand reading.

Shari Lapena has built a reputation for domestic psychological suspense, and Getting Away with Murder confirms that instinct remains sharp.
Getting Away with Murder: A Novel by Shari Lapena front cover
Getting Away with Murder: A Novel by Shari Lapena front cover

What the Novel Actually Is

Getting Away with Murder opens not with a mystery but with a murder already in motion. Ted and Jill Westcott, drowning in debt to a loan shark, sail Greg Westcott out onto the water aboard a sailboat named Fortune Seeker and push him overboard, calculating that no body means no crime and a $45 million inheritance means salvation.
Lapena flips the classic whodunit structure entirely. As People noted, the novel focuses on "a couple planning the perfect crime" rather than on investigators puzzling one out — readers know the killers from the first pages and watch, with mounting dread, as the walls close in.

Its Place in Lapena's Career and the Wider Genre

This is Lapena's tenth thriller, a milestone for an author whose debut, The Couple Next Door, launched a career that has since sold millions of copies across forty territories. Her backlist — including A Stranger in the House, Everyone Here Is Lying, and She Didn't See It Coming — has landed on the New York Times, Sunday Times, and Globe and Mail bestseller lists.
Getting Away with Murder arrives as the genre of elite-skewering suspense — think sharp social satire wrapped in lethal plotting — is having a cultural moment. Kirkus Reviews places it squarely within "the trending fiction genre that skewers the elite," calling it Lapena's "knockout contribution" to that wave.

Where the Book Excels

Kirkus Reviews singles out the novel's opening as especially visceral, noting that readers "feel the boat pitch and the wind howl" in those first pages — a sign of Lapena's command of atmosphere and immediate physical tension. The review goes on to call the book "this most satisfying novel," praising its dissection of "jealousy, vengefulness, and, for many of the characters, an unstoppable lust for money."
The pressure on Ted and Jill does not come from one direction but from several at once: Paul Ramirez, a U.S. Coast Guard investigator; Jill's best friend Lara Donleavy, who resents the inheritance tipping the social balance; a con artist; and the resentful son of the Westcotts' housecleaner. The anonymous text — "I know what you did" — then layers blackmail on top of everything else.
That multi-front siege structure is what generates the pace that blurbers including Freida McFadden ("kept me turning pages from the intense opening to the shocking conclusion") and Chris Whitaker ("flies by at breakneck speed") emphasize in their pre-publication praise.

The Novel's Thematic Ambitions

Beyond the plot machinery, Getting Away with Murder operates as social anatomy. The Westcotts are not simply criminals; their entitlement, as Kirkus Reviews observes, means "they'll kill again if they have to," and nearly every character circling them is driven by their own version of greed or resentment.
The novel asks, as the publisher frames it, how far people will go when money is on the line.
Mary Kubica, whose own work inhabits similar psychological territory, called it her favorite Lapena novel yet — a meaningful data point given how many entries precede it in Lapena's catalog. Chris Whitaker noted that Lapena "flips the script masterfully yet retains her trademark twists and killer ending," suggesting the book satisfies fans of her earlier work while offering something structurally fresh.

Who This Book Is For — and Where It May Test Patience

Getting Away with Murder is built for readers who enjoy spending extended time with morally bankrupt protagonists, watching them implode from the inside. The Westcotts are not sympathetic figures who made one bad decision; they are entitled, calculating, and willing to escalate.
Readers who need a protagonist to root for will find the novel's central relationship deliberately uncomfortable — that discomfort is, by design, the engine of the tension.
Elisabeth Egan described the book as dropping "readers into a house of cards, then lets the walls fold, one stressful, terrible decision at a time" — a characterization that doubles as a fair warning: this is a slow-burn pressure cooker, not a breakneck chase from page one, and its pleasures are in the accumulation of dread rather than in any single explosive revelation.

Sources & Further Reading

The key facts and claims in this review are grounded in the retrieved, verified sources listed below.

  1. Cited in this review
  2. 1
  3. 2
  4. 3
  5. Further reading
  6. 4
    Shari Lapena — author profileHigh-authority source

    Shari Lapena, Wikipedia

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Age & Reading Level

Recommended age

Adult

Tropes

morally greyrevenge

From how readers and romance sites describe it, not our own reading.

Content to know about

premeditated murder
financial desperation and loan shark debt
blackmail
greed and entitlement

Skip if you need a protagonist to root for or prefer relentless action over slow-burn psychological pressure

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