John Fante
American
1909 – 1983
John Fante was an American novelist, short story writer, and screenwriter. He is best known for his semi-autobiographical novel Ask the Dust (1939) about the life of Arturo Bandini, a struggling writer in Depression-era Los Angeles. It is widely considered the great Los Angeles novel, and is one in a series of four, published between 1938 and 1985, that are now collectively called "The Bandini Quartet." Ask the Dust was adapted into a 2006 film starring Colin Farrell and Salma Hayek. Fante's published works while he lived included five novels, one novella, and a short story collection. Additional works, including two novels, two novellas, and two short story collections, were published posthumously. His screenwriting credits include, most notably, Full of Life, Jeanne Eagels (1957), and the 1962 films Walk on the Wild Side and The Reluctant Saint.
On LuvemBooks, we've reviewed Ask the Dust.
1
Books ReviewedJohn Fante books in order
15 books; 1 reviewed on LuvemBooks. Dates and covers from Amazon.
1954Our review →
1977The Brotherhood of the GrapeAmazon ↗
1983Wait Until Spring, BandiniAmazon ↗
19851933 Was A Bad YearAmazon ↗
1985The Road to Los AngelesAmazon ↗
1985The Wine of Youth: Selected StoriesAmazon ↗
1986West of RomeAmazon ↗
1988Full of LifeAmazon ↗
1989John Fante and H.L. MenckenAmazon ↗
1991Selected Letters, 1932-1981Amazon ↗
2002The John Fante ReaderAmazon ↗
2002The Big HungerAmazon ↗
2002John Fante Selected Letters 1932-1981Amazon ↗
2002Dreams from Bunker HillAmazon ↗
2004The Bandini QuartetAmazon ↗
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Authors Like John Fante
J. D. Salinger
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J. D. Salinger's The Catcher in the Rye follows another first-person American antihero, offering a tighter, more plotted journey through grandiosity, self-loathing, and lonely self-delusion.
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Donna Tartt
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Donna Tartt's The Goldfinch matches John Fante's psychological depth and self-destructive protagonist, while delivering greater plot momentum and narrative drive.
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Charles Yu
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Charles Yu's Interior Chinatown revisits themes of American self-invention and racial anxiety through a formally inventive structure and sharp absurdist comedy.
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Ernest Hemingway
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Ernest Hemingway shares Fante's spare lyricism and raw male interiority, capturing masculinity, failure, and desire in plain sentences across the Hemingway Boxed Set.
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James Joyce
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James Joyce's Dubliners examines ambition stalled by poverty, religion, and self-deception, showcasing the Irish Catholic emotional grammar that Fante transplanted to California.
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James Wood Davidson
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James Wood Davidson's The Correspondent offers an equally period-flavored American voice, though it presents a text without editorial scaffolding or forward narrative momentum.
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