The writer's exile to the sidelines
Jelinek explains that writers are swept away from reality into the sidelines, where they are able to observe reality better from the outside but have no place within it.
Elfriede Jelinek delivers her 2004 Nobel Lecture in Literature, entitled 'Sidelined' ('Im Abseits').
Uploaded by Teatro Due, 2015 · Watch on YouTube ·
Jelinek explains that writers are swept away from reality into the sidelines, where they are able to observe reality better from the outside but have no place within it.
Jelinek observes that writing must intentionally portray reality falsely, as this is the only way readers can immediately detect its falseness and underlying truth.
Jelinek reflects that while she sought protection in writing, language behaves like a guard dog that turns and snaps at her heels instead of sheltering her.
Jelinek describes herself as the father of her mother tongue after her own father abandoned their small family along with the language.
Jelinek recounts how language began quietly as her child, but grew uncontrollably large until it overpowered her and became her prison warden.
Who is Elfriede Jelinek?
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