Skip to content
Reviewed

Read Time

8 min read

Age & reading levelAdult
Reader rating

4.5

· 241,307 Amazon ratings, as of Oct 2026
reader ratings, not a LuvemBooks score
Curated & edited by

LuvemBooks Editorial

How we create our reviews →
Share This Review
Things We Never Got Over (Knockemout) by Lucy Score front cover

Our review

Things We Never Got Over

Things We Never Got Over (Knockemout) by Lucy Score Review: A Runaway Bride Finds Small-Town Trouble

Things We Never Got Over (Knockemout) is a contemporary romance by Lucy Score in which Naomi flees her own wedding and arrives in the rough Virginia town of Knockemout to rescue her estranged twin sister Tina — only to clash with brooding, bad-boy barber Knox. Published by Bloom Books, it launched Score into the ranks of instant #1 New York Times bestselling authors and has since been translated into thirty languages.

Adulttrauma and emotional abuse (backstory) · manipulation and gaslighting by a family member

LuvemBooks Verdict

Best for

Readers who love grumpy-sunshine enemies-to-lovers romance set in a close-knit small town and want a series opener with a found-family ensemble cast and emotionally resonant themes of trauma and self-worth.

Worth it if

Worth reading if you enjoy slow-burn romance with emotional depth and can embrace a generous page count — some reviewers note the beginning is slow, but most find the payoff worthwhile once the story picks up.

Skip if

Skip it if you find the gruff-alphahole hero and evil-twin plot device overly familiar, since some reviewers feel the novel leans heavily on well-worn genre conventions without meaningfully subverting them.

Where reviewers agree and split

Readers rate it 4.5 on Amazon. The reviews we read that discuss it in depth agree:

All 3 reviews we read that discuss its humour praise the laughs and witty tone.

  • Humour

    3 praise the laughs and witty tone

  • Originality

    3 call it trope-heavy and familiar

  • Emotional impact

    3 call it heart-warming and moving

  • Pacing

    2 note a slow beginning or excessive length

Humour

Praise

“There were parts I loved (the family aspects, the small town vibes, the humour)”

— Pretty Little Memoirs · Book blog
Praise

“The dialogue is quick and funny.”

— Super Mom Shuffle · Book blog
Praise

“Readers appreciate the humor and heart woven throughout the narrative”

— New Book Recommendation · Book blog

Originality

Criticism

“It's full of tropes and clichés.”

— Laurie Is Reading · Book blog
Criticism

“A slow-burn read that had so many tropes I had a hard time keeping count.”

— Pretty Little Memoirs · Book blog
Criticism

“If you are a Kristen Ashley fan, Things We Never Got Over will feel very familiar to you.”

— Ana's Attic · Book blog

Emotional impact

Praise

“Things We Never Got Over is an emotional book (the ending nearly had me in tears as well), heart-warming, swoon-worthy, spicy, and just overall fab.”

— Write Watch Work · Book blog
Praise

“Heavy emotional beats that pack a punch, ensuring that the reader remains invested in Naomi's growth and transformation.”

— Henry Kisor · Book blog
Praise

“A story that is both heartwarming and heart-wrenching”

— Super Mom Shuffle · Book blog

Pacing

Criticism

“Yes, the beginning was just a bit slow, but once it picks up—it really picks up.”

— mugofreality.com · Book blog
Criticism

“Less suited for readers who prioritize tight plotting, brisk pacing, or high-concept twists”

— Canecto · Book blog
9 reviews weigh in (9 book blogs); counts are per topic. A review counts only where we can quote it.

Reader blogs are broadly positive: writewatchwork.com calls it "emotional, heart-warming, swoon-worthy, spicy, and just overall fab," while prettylittlememoirs.com offers a more mixed take, praising the humour and family elements but finding the length excessive and many of its tropes difficult to count.

Sources: Write Watch Work, Pretty Little Memoirs
4.5from 241,307 Amazon ratings, as of Oct 2026— reader ratings, not a LuvemBooks score

Ask LuvemBooks

Was this helpful?

Things We Never Got Over is a contemporary small-town romance in which runaway bride Naomi clashes with gruff barber Knox in the rough Virginia town of Knockemout — a mistaken-identity premise that delivers genuine comic tension alongside slow-burn emotional depth. The book works best for readers who embrace familiar genre tropes and can invest in a generous 570-page ensemble world; those hoping for a fresh, subversive take on the grumpy-sunshine archetype may find the conventions well-worn. Its commercial pedigree — a #1 New York Times bestseller translated into thirty languages — reflects strong genre appeal rather than formal innovation.
Is it worth reading?
For readers already at home in small-town enemies-to-lovers romance, the payoff is real: reviewers describe it as emotionally resonant, swoon-worthy, and frequently funny, with Knox and his basset hound Waylon proving particularly memorable. The caveat is pace — some reviewers flag a slow opening, and at 570 pages the novel asks for patience before it fully ignites. Originality is where reviewers agree least: the humour and emotional warmth land consistently, but the trope-heavy premise divides opinion on whether those conventions feel comforting or simply familiar.
Similar books
Readers who enjoy Things We Never Got Over often gravitate toward other small-town romances built on witty banter and familiar tropes. Sarah Adams' When in Rome and Christina Lauren's The Unhoneymooners share the fish-out-of-water comic premise and the slow-burn romantic tension. For a cozier, community-centred small-town feel, Laurie Gilmore's The Pumpkin Spice Café is a close neighbour in tone and setting.
Who should read this?
The novel is made for readers who love grumpy-sunshine enemies-to-lovers dynamics and want a series opener anchored by a vivid sense of place and a warm ensemble cast. Readers who enjoy found-family story structures — where the town and its recurring characters feel as important as the central couple — will find Knockemout especially satisfying. It is less suited to readers who prioritise originality or brisk plotting over emotional warmth and genre comfort.
Tell me about the adaptation
Things We Never Got Over entered development as a television series with Amazon MGM Studios — a milestone the announcement described with considerable excitement. The Knockemout world's strong sense of place, recurring ensemble cast, and episodic character dynamics make it a natural fit for serialised TV storytelling. No release date or casting details appear in the verified record at the time of publication.
What makes Knox stand out as a hero?
Knox is characterised as a bearded, bad-boy barber who structures his life around deliberate solitude — in the review's framing, he likes his life the way he takes his coffee: alone, save for his basset hound Waylon. That specific detail — the gruff man with the basset hound — has proven one of the most durable and discussed images in reader conversations about the book. The tension between his preference for isolation and Naomi's arrival as maximum, unavoidable drama is what drives the enemies-to-lovers dynamic.
Is it too trope-heavy?
Reviewers are notably divided here. The humour, warmth, and emotional impact draw consistent praise, but on originality the consensus is clear: multiple reviewers describe the novel as saturated with genre tropes — the gruff-hero archetype, the evil-twin device, the slow-burn enemies-to-lovers structure — without meaningfully subverting them. One reviewer compares it closely to Kristen Ashley's work as a frame of reference. Whether that density of convention feels cozy or exhausting depends almost entirely on the individual reader's appetite for familiar romance idioms.
Summarize this book

Summarize this book

Naomi abandons her own wedding and races to Knockemout, Virginia, to help her identical twin sister Tina — only to find the entire town mistakes her for Tina and wants nothing to do with her. Her uneasy orbit around Knox, a bearded, solitary barber who wants no part of a stranded runaway bride's drama, becomes the engine of the romance. The novel opens the Knockemout series and establishes a full ensemble cast — including Knox's brother Nash and his college ex Lina — whose stories carry subsequent installments.

Follow up

What order should I read the Knockemout series?
What's the overall tone — light or heavy?
What does Knockemout feel like as a setting?

Synthesized from verified book data & published reviews · How we review

Ask LuvemBooks

What would you like to know about Things We Never Got Over?

Answers come from our editorial notes on this book. If we haven't covered something, we'll say so.

Readers often ask

Our Review

This review covers the book's content and published reception; it does not reflect hands-on use or a personal read.
Things We Never Got Over (Knockemout) by Lucy Score front cover
Things We Never Got Over (Knockemout) by Lucy Score front cover

What the Story Is

Things We Never Got Over (Knockemout) opens with Naomi abandoning her own wedding to ride to the rescue of her identical twin, Tina, who has once again landed in trouble in Knockemout, Virginia — a rough-around-the-edges town where, as the publisher's synopsis puts it, disputes are settled "with fists and beer."
Because the sisters are identical, the townspeople mistake Naomi for Tina and are reluctant to welcome or help her, as noted by some reviewers. That case of mistaken identity gives the novel its central tension: Naomi must prove she is not her "evil twin" while navigating a town that has every reason to distrust the face she's wearing.
Enter Knox — a bearded, bad-boy barber who prefers his life the way he takes his coffee: alone, save for his basset hound, Waylon. Knox has no patience for drama, and a stranded runaway bride represents maximum drama.
The push-pull between his deliberate solitude and Naomi's arrival in his orbit drives the romance.

Place in Lucy Score's Career and the Series

Score is an instant #1 New York Times bestselling author of contemporary romance, and Things We Never Got Over (Knockemout) is the book that cemented that status. Her works have been translated into thirty languages, and this novel is described by her publisher as an international bestseller.
It opens the Knockemout series and is the first of the books set in this Virginia town, with subsequent entries following connected characters — Knox's brother Nash and Knox's college ex Lina appear in the second book. The novel functions as the foundation for the larger ensemble, introducing the town and its dynamics before subsequent installments build on them.

Strengths Noted by Readers

Reader enthusiasm for Things We Never Got Over (Knockemout) has been vocal. On the reader community site maryse.net, one reader described finishing the book and finding it has "a bit of a Tatum Jackson/Laurie/Sweet Dreams feel to it" — a shorthand for cozy, character-driven small-town romance with emotional warmth.
Multiple readers on that same site reported loving the book and eagerly anticipating the next installment.
The mistaken-identity premise and the small-town setting supply both comedy and conflict, giving the central couple structural reasons to stay in each other's orbit long enough for genuine feeling to develop. Knox's gruff persona anchored by a basset hound named Waylon has proven a particularly durable image in reader conversations about the book.

Criticisms and Who May Struggle With It

Not all reception is uniformly enthusiastic. While some readers call themselves "obsessed, the novel's 570-page length will test readers who prefer tightly plotted, shorter romances. The premise — twin confusion played out across an entire small town — requires sustained suspension of disbelief, and readers who find the evil twin" trope or the gruff-hero archetype well-worn may find the setup familiar.
The book is squarely within commercial contemporary romance conventions, which is a strength for genre loyalists and a potential limitation for readers seeking subversive or formally experimental fiction. Score writes in a well-established idiom, and nothing in the verified record suggests the novel departs from it.

Adaptation and Who It's For

As of the time of the post in which it was announced, Things We Never Got Over (Knockemout) had entered development with Amazon MGM Studios as a TV series — a milestone described as one someone was "so excited" about. Adaptation interest reflects how well the book's characters and setting translate into visual, episodic storytelling.
The novel is best suited to readers who love small-town romance, slow-burn enemies-to-lovers dynamics, and ensemble casts with a found-family feeling. It stands as the opening book of the Knockemout series and earns its place there by establishing a world and a pair of leads compelling enough to sustain reader investment across subsequent entries.

Sources & Further Reading

The key facts and claims in this review are grounded in the retrieved, verified sources listed below.

  1. Cited in this review
  2. 1
  3. 2
  4. 3
  5. 4
  6. Further reading
  7. 5
  8. 6
  9. 7
  10. 8
  11. 9
  12. 10
  13. 11
  14. 12
  15. 13
  16. 14

Age & Reading Level

Recommended age

Adult

Heat level

Explicit · rated 4/5 spice (explicit) by most readers

From how readers and romance sites describe it, not our own reading.

Content to know about

trauma and emotional abuse (backstory)
manipulation and gaslighting by a family member
explicit, on-page sex scenes

Skip if you find the gruff alphahole hero and evil-twin plot device overly familiar and want a romance that subverts rather than embraces those conventions.

From our readers

Reader reviews

Be one of the first readers to answer.

Read it? Was it right for you?