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One of Us Is Lying by Karen M. McManus Review: A Gripping YA Whodunit Debut

Karen M. McManus's debut YA mystery-suspense novel One of Us Is Lying—originally published by Delacorte Press in 2017 and a #1 New York Times bestseller—drops five high schoolers into Saturday detention, from which only four walk out alive, and builds its whodunit from the rotating perspectives of each surviving suspect. Praised by critical coverage as "Pretty Little Liars meets The Breakfast Club," the novel earned an extraordinary sweep of year-end honors and has since launched a two-sequel series and a television adaptation. This review is based on the book's content and published reception, not hands-on reading.

LuvemBooks Verdict

Best for

Teenagers aged 14 and up who enjoy ensemble social drama, sustained suspicion across multiple character perspectives, and whodunits where every suspect has something genuinely at stake — particularly reluctant readers who need a propulsive, accessible premise to stay hooked across 400-plus pages.

Worth it if

You're drawn to mysteries that keep the question of guilt genuinely open by cycling through each suspect's own interior world, and you don't mind a high-school social architecture of archetypes that the novel then deliberately complicates.

Skip if

You prefer tight single-narrator suspense that escalates without interruption, or you find yourself impatient with fiction that leans into YA genre conventions — cliques, archetypes, reputation — before working past them.

Kirkus Reviews, whose own page is in the retrieved list, described the book as "a fast-paced blend of Gossip Girl, Pretty Little Liars, and classic John Hughes" that keeps "readers racing to the finish," and named it a Best Young Adult Book of the Century — while also noting its initial resemblance to The Breakfast Club. Penguin Random House's catalogue page confirms the novel reached #1 on the New York Times bestseller list and accumulated an exceptional sweep of year-end honours from Entertainment Weekly, Buzzfeed, the New York Public Library, YALSA, and Goodreads, among others.

Sources: Kirkus Reviews, Penguin Random House, Bookshop.org, Boswell Books, lukeharkness.com, momoftwolittlegirls.com, devontrevarrowflaherty.com, laurieisreading.com, bossybookworm.com, Palo Alto City Library
4.5from 48,829 Amazon ratings— reader ratings, not a LuvemBooks score
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In This Review
  • What Works & What Doesn't
  • What the Book Is and What Happens
  • Reception and Cultural Footprint
  • Structural Strengths: Multiperspectivity and the Ensemble Cast
  • Genuine Limitations and Who May Be Frustrated
  • Who This Book Is For

What Works & What Doesn't

What Works
  • #1 New York Times bestseller with an exceptional sweep of year-end honors from Entertainment Weekly, Buzzfeed, the New York Public Library, YALSA, Kirkus Reviews, and others
  • Multiperspective structure cycles through all four suspects' viewpoints, keeping the central whodunit genuinely open across the novel's length
  • Strong accessibility credentials — a YALSA Quick Pick for Reluctant Young Adult Readers — making it effective for a wide range of teen readers
  • McManus's journalism background informs the construction of the gossip-media texture that grounds the high school setting
  • Launches a complete three-book series, giving engaged readers two sequels and a television adaptation to continue with
What Doesn't
  • Rotating among four first-person perspectives requires careful differentiation; readers who prefer single-narrator mysteries may find the structure occasionally diffuses rather than escalates tension
  • The deliberate use of high-school archetypes as a starting point may feel familiar to readers seeking fiction that bypasses YA genre conventions from the outset
This review covers the content and published reception of One of Us Is Lying by Karen M. McManus; it is not based on a hands-on read.
One of Us Is Lying by Karen M. McManus front cover
One of Us Is Lying by Karen M. McManus front cover

What the Book Is and What Happens

One of Us Is Lying is a young adult mystery-suspense novel — Karen M. McManus's debut — originally published by Delacorte Press, an imprint of Penguin Random House, on May 30, 2017. (The edition most widely available now is a Delacorte Press reprint.) The premise is deceptively simple: five students — Bronwyn Rojas, Nate Macauley, Cooper Clay, Addy Prentiss, and Simon Kelleher — are sent to detention together. Simon, the creator of the school's gossip app, dies before the period ends, and the four survivors instantly become suspects. Each of them had something Simon was about to expose, and the novel rotates among their four points of view to unravel who — if anyone — among them is responsible.
LitCharts's study guide identifies the book's central thematic preoccupations as stereotypes and unlikely connections, gossip, secrets and lies, and what it frames as the particular pressures of adolescent life. The four protagonists — the brain, the criminal, the jock, and the beauty — begin the story as high-school archetypes and are pushed by the investigation into something more complicated than their labels suggest.

Reception and Cultural Footprint

Few debut YA novels have landed with the breadth of recognition that One of Us Is Lying accumulated. It reached #1 on the New York Times bestseller list and was named one of the ten best books of the year by critical coverage. Among its many additional honors: a Best YA Book of the Year selection from Buzzfeed, a Best Books for Teens selection from the New York Public Library, a YALSA Top Ten Best Fiction Book nomination, a YALSA Quick Pick for Reluctant Young Adult Readers designation, a Kirkus Reviews Best Young Adult Book of the Century citation, a Goodreads Best Young Adult Book of the Year nomination, and a CBC Teen Choice Book Award nomination. The novel's reach extended beyond the page when it was adapted into a television series. McManus has since become, by Penguin Random House's description, a #1 New York Times, USA Today, and international bestselling author — with this debut as the foundation of that reputation.

Structural Strengths: Multiperspectivity and the Ensemble Cast

One of the novel's most discussed design choices is its use of multiperspectivity. Rather than anchoring the reader with a single narrator, McManus cycles through the points of view of all four student suspects — Bronwyn, Nate, Cooper, and Addy — giving each their own interiority and secrets. This structure serves the mystery mechanics directly: because readers see the investigation from inside each suspect's head, the question of guilt remains genuinely open even as information accumulates. Entertainment Weekly's comparison to Pretty Little Liars and The Breakfast Club — surfaced by Penguin Random House's own marketing — captures the dual appeal: the social-ensemble dynamics of the latter and the sustained suspicion of the former. McManus, who holds an MA in journalism from Northeastern University, brings a reported craft to the book's construction of false headlines and gossip-media texture that grounds the high school setting in recognizable contemporary detail.

Genuine Limitations and Who May Be Frustrated

The same structural choice that powers the novel's suspense can create unevenness for some readers. With four distinct first-person perspectives cycling across a single plot, the novel must do substantial work to differentiate four voices while keeping each chapter's revelations proportionally weighted. Some readers accustomed to tighter, single-narrator mysteries may find the rotating format diffuses tension at certain junctures rather than building it. Additionally, the book's high-school social architecture — cliques, archetypes, reputation — is very deliberately deployed, and readers who prefer their fiction to move quickly past genre scaffolding into murkier psychological territory may find the setup leaning into familiar YA conventions before complicating them. These are structural trade-offs inherent to the design, not failures of execution, but they are real factors in whether a given reader connects with the book.

Who This Book Is For

One of Us Is Lying is aimed at readers aged 14 and up, with a recommended grade range of 9–12, and it works particularly well for teenagers drawn to social drama, ensemble casts, and mystery plots where every character has something to hide. The designation as a YALSA Quick Pick for Reluctant Young Adult Readers signals that the novel's pacing and premise are accessible enough to engage readers who don't typically seek out fiction — a meaningful credential for a whodunit with 416 pages. For educators, librarians, and parents, the book is the first in a three-part series; it was followed by One of Us Is Next (2020) and One of Us Is Back (2023), meaning readers who connect with Bayview High have more to return to. It stands, however, as a complete mystery in its own right.

Sources & Further Reading

The key facts and claims in this review are grounded in the retrieved, verified sources listed below.

  1. Cited in this review
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  5. Further reading
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