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John Berendt Returns With First Book in Fifteen Years

John Berendt, author of Midnight in the Garden of Good and Evil, releases Class Act, collecting his long-running Esquire columns on men's style and manners.

John Berendt, whose Midnight in the Garden of Good and Evil spent an extraordinary stretch on the New York Times bestseller list, has published his first new book in fifteen years — and it is, perhaps unexpectedly, a guide to dressing well.
Class Act: A Gentleman's Guide to Dressing Well, which appeared in October 2026, collects Berendt's long-running "Classics" columns from Esquire, a body of work that predated his celebrated Savannah non-fiction by years. As Garden & Gun reports, Berendt is now eighty-six years old, making this return to publishing all the more notable.

How Midnight in the Garden of Good and Evil's Author Became Esquire's Style Authority

The origin story of the columns is itself telling. According to an interview Berendt gave NPR, Esquire was not interested in conventional fashion advice — the magazine asked him instead to excavate the social history behind items of clothing, a brief that suited his instincts as a narrative journalist far better than trend-reporting would have done.
That distinction matters. Where most style writing chases the seasonal, Berendt's columns were apparently rooted in anecdote, research, and a sense of cultural archaeology — precisely the qualities that would later animate his long-form non-fiction.
The New York Times reviewed Class Act on 13 October 2026, describing the columns as revealing Berendt's talent for "balancing literary vamping with stealth, authoritative analysis and gossipy history." That phrase captures something important: the same gift for atmospheric, digressive storytelling that made Midnight in the Garden of Good and Evil so compelling was, it turns out, present from the start.
Garden & Gun notes that Berendt originally treated the Esquire assignment as a dreaded one, yet transformed it into a series of witty, deeply researched columns — a creative reversal that feels very much in keeping with his career.

A Long Gap Between Books — and Why Class Act Arrives When It Does

Fifteen years is a considerable silence for any writer, and Berendt's publishing history has always been marked by long intervals and patient craft. Midnight in the Garden of Good and Evil, as Wikipedia records, was published in January 1994 after years of reporting; it went on to spend 216 weeks on the New York Times bestseller list, one of the longest such runs on record.
Class Act is, in one sense, a return to archive rather than a new departure — a curated selection of journalism rather than an original long-form work. Yet the timing reflects a growing appetite for narrative non-fiction about material culture, as readers increasingly seek out writing that situates everyday objects within broader histories.
MR Magazine covered a book event at Robert Talbott celebrating Class Act, describing Berendt as "known best for his award-winning non-fiction classic Midnight in the Garden of Good and Evil" — a reminder that, however accomplished the Esquire columns may be, his readership will approach this new volume through the lens of that earlier triumph.
That is not entirely a disadvantage. Readers drawn by curiosity about the man behind Midnight in the Garden of Good and Evil will find in Class Act an earlier, complementary version of the same sensibility: erudite, amused, and keenly attentive to what objects reveal about the people who choose them.
Midnight in the Garden of Good and Evil is Berendt's acclaimed first book, a non-fiction work set in Savannah, Georgia, that remained on the New York Times bestseller list for a remarkable run of 216 weeks following its 1994 publication.

In John Berendt's own words

John Berendt revisits Savannah, Georgia, with CBS Saturday Morning to discuss the 30th anniversary and legacy of 'Midnight in the Garden of Good and Evil'.

Uploaded by CBS Mornings, 2024 · Watch on YouTube ·

Never expected a bestseller

Berendt recalls sensing that the manuscript was working well while he was writing it, but he never expected it would become a bestseller.

Capturing Savannah's quirky residents

Berendt explains that his focus went beyond the murder trial to capturing what it felt like to live in Savannah surrounded by unique, eccentric locals.

Southern storytelling culture

Berendt noticed immediately upon arriving in the South that locals loved to talk, especially about other people, making it easy to gather stories.

Using first person for narrative flow

Berendt defends writing second-hand accounts in the first person, stating that doing so allowed the narrative to flow naturally and created a much more enjoyable book.