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After Midnight: Thirteen Tales for the Dark Hours by Daphne du Maurier front cover

After Midnight

by Daphne Du Maurier

Best for

Readers who want slow-building dread and psychological unease in short form, especially Rebecca fans curious about du Maurier's wider range, with a mix of domestic gothic, supernatural and psychological tales across thirteen stories.

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Pages528
Our age bandAdult
ISBN1668204290
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Daphne Du Maurier

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Daphne Du Maurier

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After Midnight

Thirteen Tales for the Dark Hours

by Daphne Du Maurier

LuvemBooks Verdict

Best for: Readers who want slow-building dread and psychological unease in short form, especially Rebecca fans curious about du Maurier's wider range, with a mix of domestic gothic, supernatural and psychological tales across thirteen stories.

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After Midnight gathers thirteen of Daphne du Maurier's darkest short stories, from "The Birds" and "Don't Look Now" to lesser-known pieces, with an introduction by Stephen King. Reviewers describe slow-building unease rather than outright shocks, so it suits readers who want atmosphere and psychological dread; it is long and best dipped into story by story.
Is it worth reading?
Reviewers largely say yes. The Bookmarks reviewer argued the tales have endured well. Always With a Book was impressed by how tension builds even over short distances. The caveats are practical: favourites vary from reader to reader, and NPR found one standout lacking intensity, so it rewards patience rather than a hunger for scares.
Similar books
For more of du Maurier's own range, Rebecca and My Cousin Rachel are the natural next steps for readers who know her mainly as a novelist. For other short-story collections with an eerie edge, Shirley Jackson's The Lottery and Other Stories and Stephen King's Night Shift fit the mood. Bradbury Stories: 100 of His Most Celebrated Tales offers a different, more speculative flavour of the uncanny.
Who should read this?
The Always With a Book blogger recommended it most directly to du Maurier readers who have only read Rebecca. It also suits anyone seeking a spooky-season read with literary depth who is happy to take it one story at a time.
What age is it for?
This is a book written for adults. Fictionophile described the stories as bizarre, macabre and mostly downright unsettling, and Always With a Book warned against reading them before bed. No reviewer states a specific minimum age.
About Daphne du Maurier
Dame Daphne du Maurier, Lady Browning, was an English novelist, biographer and playwright.
How does it compare with Stephen King's short horror?
Reviewers frame it as an older, more psychological register than King's own short horror. King himself wrote the introduction, and the Bookmarks reviewer said it is not to be missed. The emphasis here is domestic gothic, atmosphere and eerie twists rather than overt shocks.
What are the main themes?
Themes named across the reviews include obsession and tragic love ("Monte Verità" and "Ganymede"), the slide into lies and fantasy ("The Alibi"), and madness versus the supernatural. NPR also read the best stories as affirming that art is one of the few reliable forms of immortality.
Summarize this book

Summarize this book

This is a 528-page collection of thirteen du Maurier stories spanning domestic gothic, supernatural and psychological tales. The famous entries "The Birds" and "Don't Look Now" sit beside deeper cuts such as "The Blue Lenses", "Not After Midnight", "The Alibi" and "Monte Verità". Stephen King supplies the introduction. Reviewers at NPR and Always With a Book lean positive on its unsettling atmosphere.

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What does Stephen King's introduction add?
Do I have to read the stories in order?

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