Understanding Ender through sequels
Card notes that Ender began as a stock romantic hero with little depth, and it was only while exploring the character's guilt in Speaker for the Dead and later Ender in Exile that he truly understood him.
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Author Orson Scott Card discusses the creation of Ender Wiggin, the concept of Battle School, and writing parallel novels like Ender's Shadow.
Uploaded by Macmillan Audio, 2012 · Watch on YouTube ·
Card notes that Ender began as a stock romantic hero with little depth, and it was only while exploring the character's guilt in Speaker for the Dead and later Ender in Exile that he truly understood him.
Card considers Battle School's testing and selection system to be completely unrealistic. He argues that intelligence and ability cannot be reliably measured in young children because achievement stems from choice and thousands of hours of practice.
Card explains that Ender Wiggin was conceived similarly to historical commanders like Stonewall Jackson, whose brilliance lay in inspiring absolute devotion from their soldiers rather than mere technical mastery.
Card originally intended to outline a series about the secondary child characters to be written collaboratively by other authors. However, once he began writing Bean's backstory on the streets of Rotterdam, the story expanded until it ran parallel to Ender's Game.
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